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It’s hard to describe “Until the End from the World,” Wim Wenders’ languid, considerably-flung futuristic road movie, without feeling like you’re leaving something out. It’s about a couple of drifters (luminous Solveig Dommartin and gruff William Hurt) meeting and un-meeting while hopping from France to Germany to Russia to China to America over the run from factions of regulation enforcement and bounty hunter syndicates, but it really’s also about an experimental technological know-how that allows people to transmit memories from one particular brain to another, and about a planet living in suspended animation while waiting for the satellite to crash at an unknown place at an unknown time And perhaps cause a nuclear disaster. A good percentage of it can be just about Australia.

Yang’s typically set nevertheless unfussy gaze watches the events unfold across the backdrop of 1950s and early-‘60s Taipei, a time of encroaching democratic reform when Taiwan still remained under martial law as well as the shadow of Chinese Communism looms over all. The currents of Si’r’s soul — sullied by gang life but also stirred by a romance with Ming, the girlfriend of one of its dead leaders — feel nationwide in scale.

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The ingloriousness of war, and the basis of pain that would be passed down the generations like a cursed heirloom, is usually seen even from the most unadorned of images. Devoid of even the tiniest bit of hope or humor, “Lessons of Darkness” offers the most chilling and powerful condemnation of humanity inside a long career that has alway looked at us askance. —LL

The little man has rock hard erection, concealed in his underwear, making the sign clear that he’s aroused. This isn’t a first for Dr. Wolf, but this surely begins to arouse the taller, older man. Outside of very special circumstances, he would never consider breaching his profession’s prohibition of sexual contact between himself and his patients, but he’s stunned when the young guy asks to see the size of his endowment! It’s clear in Austin’s puppy Puppy lewd floosy destroyed by monster eyes that the boy longs to wrap his hands around the doctor’s massive cock and feel the load of his hefty balls. The good doctor doesn’t have the heart to convey no… The doctor pulls out his massive organ, making Austin swoon as he grasps it, sensing its size and girth. His physician’s erection is nearly as large as tiny Austin’s entire forearm! Within no time, the doctor has the boy down on his knees; kissing, licking, and worshipping the man’s huge cock! Standing next to him, Austin feels small next to his giant doctor. A rush of sexual Vitality courses through his body like electricity seeing the handsome face from the towering person looking down from such an impressive top. Dr. Wolf feels momentarily worried for his little patient as he watches him take the fat head plus the first inch of his thick shaft into his mouth. Nevertheless, the massive doctor can’t resist pushing it further into the little man’s throat. And as he does, he feels his cock grow bigger in Austin’s tight, virginal throat. Austin is set, fighting through tears to accommodate the long, thick cock that was expanding inside him! Looking down with the young gentleman’s handsome face, the doctor can’t help but think of how beautiful it would be to check out this tiny little person wrestle as he popped the boy’s cherry and sheathed his meat for the first time in his tight, smooth hole…

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No matter how bleak things get, Ghost Pet dog’s rigid system of belief allows him to maintain his dignity during the face of deadly circumstance. More than that, it serves being a metaphor for that world of impartial cinema itself (a domain in which Jarmusch had already become an elder statesman), in addition to a reaffirmation of its faith inside the idiosyncratic faketaxi and uncompromising artists who lend it their lives. —LL

The magic of Leconte’s monochromatic fairy tale, a Fellini-esque throwback that fizzes along the Mediterranean coast with the madcap Vitality of the “Lupin the III” episode, begins with The very fact that Gabor doesn’t even consider (the current flimsiness of his knife-throwing act suggests an impotence of a different kind).

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A movie with transgender leads played by transgender actresses, this film set a completely new gold standard for casting LGBTQ movies with LGBTQ performers. In keeping with Wide range

Claire Denis’ “Beau Travail” big deek ideas unfurls coyly, revealing one particular indelible image after another without ever fully giving itself away. Released in the tail end with the millennium (late and liminal enough that people have long mistaken it for an item on the 21st century), the French auteur’s sixth feature demonstrated her masterful power to build a story by her own fractured design, her work often composed by pormo piecing together seemingly meaningless fragments like a dream you’re trying to recollect the next working day.